Not to mention, any time of the day in which there's a solid chance you'll hear that dreadful Semisonic song is gonna be one bad hour of your life. But, in retrospect, it was always a sloppy mess of eventually regrettable decisions. I actually enjoyed that final hour back in my salad days, when I saw it as a chance to squeeze in a few final drinks before trying to make something happen for my sexual extremities. Likewise, the final hour before closing is always going to be one of the least-happy hours of the entire drinking day. It's also probably no surprise that most people have moved out of Hoboken before they're thirty. Perhaps it's no surprise that Hoboken, a city which is pretty much the Las Vegas of the aforementioned, has literally the most advertised happy hours in the country. You've surely been a part of this scene: You're having a grand ol' time, when all of a sudden the tables are cleared out of the way, the lights get dimmer, the music gets louder (perhaps a goofy DJ even sets up shop in the corner), the pints you had been paying $4 for suddenly skyrocket to $9, the kinds of young women who throw up Greek letters in all their photos arrive, and, holy shit, you're now at a dance party you never wanted to be at.
Of course, once happy hour ends and the responsible adults have to head home to significant others, children, and early 's time for the youngsters to take over.
#Youtube semisonic closing time full
Though by the time 5:20 has come, the Pony has unfortunately become the Bro-ny Bar, and like most pubs, full of annoying dudes in suits. One of my favorite watering holes, New York's Pony Bar, has a happy hour that is literally just an hour, starting at 4:20 (marijuana reference, Mom). Usually between 5 and 7 p.m., Monday through Friday, though, in some cases it will stretch from as early as 4 to as late as 8. Thus, we can safely eliminate any time officially designated as "happy hour" - especially because it's never just an hour. The big negative is, though you're no longer stuck in your cubicle, you're now stuck in a bar with many of the same clowns you work with. It goes without saying, the big positive of advertised happy hours ( in the 24 states that allow them) are discounted food and drinks. And, as a true drinking pro, with a lot of flexible time on my hands, I've made it my mission to uncover something: When is literally the most glorious 60 minutes of consecutive drinking time during the 120-hour work week? Along the way, I've provided a few visual aids. I should know, as someone without a job - I mean, as a writer - I often spend odd hours in bars. No, the real happy hour would never be promoted as such.
Primary Wave did not share song titles in these instances, but Wilson’s only songs with Swift are “Treacherous” and “Come Back… Be Here” from 2012’s Red.Since 1920, that first stretch of time after the workday ends has been known as "happy hour." But can any hour truly be happy when every bar is packed with sweaty people in dress clothes, many still grumpy from another terrible day on the job, most throwing back as many cheap drinks as they can before they have to catch a lonely train ride home? That's not happy 's misery. It also includes Wilson’s publishing rights to songs recorded by the likes of Taylor Swift, John Legend, Dierks Bentley, P!nk, Josh Groban and Chris Stapleton. Primary Wave confirmed to Rolling Stone that Wilson’s deal comprises his entire catalog. The cherry on top is the karaoke anthem that is Semisonic’s “Closing Time,” which spent 13 weeks at Number One on the modern rock chart in 1998. It also houses six songs from The Chicks’ Taking the Long Way, one being “Not Ready to Make Nice, which won the Song of the Year Grammy in 2007. Wilson’s deal includes a total of three Adele songs - “One and Only,” “Don’t You Remember,” and the multi-platinum “Someone Like You” - all of which are on the star’s groundbreaking debut album 21, which he helped produce. And it comes just one month after Stevie Nicks’ similar deal with Primary Wave. Only one week into 2021, this is the third major acquisition of songwriting rights this year, following that of Fleetwood Mac’s Lindsey Buckingham and Neil Young. Genre-traversing hitmaker and Semisonic frontman Dan Wilson has signed over 100% of his catalog - around 350 songs - to music publishing and management company Primary Wave, the latter announced on Thursday.
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